T-U-B-E München "8K=8K+-(G)<>(A)<>(N)" by Wolfgang Dorninger
Wolfgang Dorninger: 8K=8K+-(G)<>(A)<>(N)
8th November 2007, 20:00 T-U-B-E München
8K=8K+-(G)<>(A)<>(N) ist ein Remix-Konzert basierend auf der CD „8K“ von Dorninger (base records). „8K“ (tags: Techno, IDM, Breaks) ist der Urzustand, das Material das Live klar definierten Bearbeitungs-Prozessen unterworfen wird. G (granulare/digitale Bearbeitung), A (analoge Traktierung mittels Dubplates) & N (mittels tubeplug über das Internet).
Die Bearbeitungs-Prozesse sind mit G, A & N klar definiert, offen hingegen ist Auswahl, Eingriff und Partizipation. 8K=8K+-(G)<>(A)<>(N) spannt einen sehr breiten Bogen zwischen Schärfe und Unschärfe, zwischen Original und Zitat, zwischen Digital und Analog, zwischen Egotrip und collective composition, zwischen live und Archiv, Echtzeit und Verzögerung.
Die Aufführungen werden mitgeschnitten und online gestellt, damit die Prozesshaftigkeit über einen längeren Zeitraum dokumentiert wird.
How is joing the (N) netjam:
Richard Eigner (Linz, Austria) & Mike Honeycutt (Memphis, Tennesee).
More info & some information in English & German here!
T-U-B-E
klanggalerie - radiophone kunst installationen audio-performances
Einstein Kulturzentrum
Einsteinstr. 42
81675 München
(direkt an den U-Bahn/Tram Haltestellen Max-Weber-Platz)
------
Austrian Richard Eigner writes spook-inducing ambient tracks that ransack your cranium’s music shelves for boxes marked ‘jazz’, ‘minimal’ and ‘electronica’. His hypnotic passages won Austria’s Elektronikland Award (for experimental electronics) in 2005 and will soon be showcased on his record label Wald-Entertainment. A multimedia whiz, session drummer (for example on Patrick Wolf s album ‘The Magic Position’) and animator, other projects include the soundtrack for dance piece ‘Urgent Appetite’ by Canadian choreographer Laura Kappel, music clips for I-Wolf and Mika, and six months spent as Patrick Pulsinger's ‘studio slave’, helping on remixes and building a sound library. Richard also reckons he can distinguish the different saw-waves from Nord Modular and N.I. Reaktor, and there’s no way we’re calling him a liar.
Performed/ collaborated/ recorded with Patrick Pulsinger, Patrick Wolf, Carl McIntosh (Loose Ends), Pamelia Kurstin, Hilary Jeffery, Franz Hautzinger,Todd Simon, Toby Laing (Fat Freddys Drop), Flying Lotus, August Engkilde, Andreya Triana, Gerald Votava, Thomas Jarmer (Garish), Matthias Kertal (Mika), Tibcurl, Barca Barxant (Silicone Pumpgun), Oliver Hangl, Ellen Muhr (A Bunny Situation), Gerhard Daurer, Roman Gerold.
Played at Sónar/Barcelona, Horse Bazaar/Melbourne, Honkytonks/Melbourne, Ars Electronica Festival, Schmiede Hallein, Basics Festival, Temp~ Festival, ORF Radiokulturhaus/Vienna, Soho Ottakring/Vienna, Icke Micke/Planetarium Wien.
----------
Mystery Hearsay is the name for the solo musical projects of Mike Honeycutt. I started networking in the early eighties. I got a copy of C.L.E.M. and wrote to some of the contacts included in this vital pub (edited by Alex Douglas). Later I started mystery hearsay cassettes in 1983- and released a C60 of my solo recordings. The first step release provided me something to trade with. I networked more and more with other indie people and labels worldwide. This exchange led to starting my own cassette label of the same name. The next thing - activities expanded to compiling and releasing compilation cassettes from other indie minded contacts worldwide.
Kommentar hinzufügen